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Joseph Hergesheimer
instinct longed to skip; she thought of jouncing as high as the poplars, right over the house and into Washington Square beyond. "Miss Fidget!" her grandfather exclaimed, exasperated, releasing her hand. "You're like holding on to a stormy petrel."
"I don't think that's very nice," she replied.
"God bless me," he said, turning upon her his steady blue gaze; "what have we got here, all dressed up to go ashore?" She sharply elevated a shoulder and retorted, "Well, I'm eleven." His look, which had seemed quite fierce, grew kindly again. "Eleven," he echoed with a satisfactory amazement; "that will need some cumshaws and kisses." The first, she knew, was a word of pleasant import, brought from the East, and meant gifts; and, realizing that the second was unavoidably connected with it, she philosophically held up her face. Lifting her over his expanse of stomach he kissed her loudly. She didn't object, really, or rather she wouldn't at all but for a strong odor of Manilla cheroots and the Medford rum he took at stated periods.
After this they moved on, through the bay window of the drawing-room that opened on the garden, where a woman was brushing with a nodding feather duster, under the white arch that framed the main stairway, and turned aside to where breakfast was being laid. Laurel saw that her father was already seated at the table, intent upon the tall, thickly printed sheet of the Salem Register. He paused to meet her dutiful lips; then with a "Good morning, father," returned to his reading. Camilla entered at Laurel's heels; and the latter, in a delight slightly tempered by doubt, saw that she had been before her sister in a suitable dress for such a warm day. Camilla still wore her dark merino; and she gazed with mingled surprise and annoyance at Laurel's airy garb.
"Did mother say you might put that on?" she demanded. "Because if she didn't I expect you will have to go right up from breakfast and change. It isn't a dress at all for so early in the morning. Why, I believe it's one of your very best." The look of critical disapproval suddenly became doubly accusing.
"Laurel Ammidon, wherever are your pantalets?"
"I'm too big to have pantalets hanging down over my shoetops," she replied defiantly, "and so I just hitched them up. You can still see the frill." Janet had come into the room, and stood behind her. "Don't you notice Camilla," she advised; "she's not really grown up." They turned at the appearance of their mother. "Dear me, Camilla," the latter observed, "you are getting too particular for any comfort. What has upset you now?"
"Look at Laurel," Camilla replied; "that's all you need to do. You'd think she went to dances instead of Sidsall"
Laurel painfully avoided her mother's comprehensive glance. "Very beautiful," the elder said in a tone of palpable pleasure. Laurel advanced her lower lip ever so slightly in the direction of Camilla. "But you have taken a great deal into your own hands." She shifted apparently to another topic. "There will be no lessons to-day for I have to send Miss Gomes into Boston." At this announcement Laurel was flooded with a joy that obviously belonged to her former, less dignified state. "However," her mother continued addressing her, "since you have dressed yourself like a lady I shall expect you to behave appropriately; no soiled or torn skirts, and an hour at your piano scales instead of a half."
Laurel's anticipation of pleasure ebbed as quickly as it had come--she would have to move with the greatest caution all day, and spend a whole hour at the piano. It was the room to which she objected rather than the practicing; a depressing sort of place where she was careful not to move anything out of the stiff and threatening order in which it belonged. The chairdeacons in particular were severely watchful; but that, now, she had determined to ignore.
She turned to johnnycakes, honey and milk, only half hearing, in her preoccupation with the injustice that had overtaken her, the conversation about the table. Her gaze strayed over the walls of the breakfast room, where water color drawings of vessels, half models of ships on teakwood or Spanish mahogany boards, filled every possible space. Some her grandfather had sailed in as second and then first mate, of others he had been master, and the rest, she knew, were owned by Ammidon, Ammidon and Saltonstone, her grandfather, father and uncle.
Just opposite her was the Two Capes at anchor in Table Bay, the sails all furled except the fore-topsail which hung in the gear. A gig manned by six sailors in tarpaulin hats with an officer in the stern sheets swung with dripping oars across the dark water of the foreground; on the left an inky
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