It Happened in Egypt | Page 3

C.N. Williamson and A.M. Williamson
alone with a mere aunt. And she thinks I 'attract adventures.' It's only too true. But I couldn't resist her. Nobody can. Why, the first time I ever saw Monny she'd cast herself down in a mud-puddle, and was screaming and kicking because she wanted to walk while one adoring father, one sycophantic governess and two trained nurses wanted her to get into an automobile. That was on my honeymoon--heaven save the mark--! and Monny was nine. She has other ways now of getting what she wants, but they're even more effective. I laughed at her that first time, and she was so surprised at my impudence she took a violent fancy to me. But I don't always laugh at her now. Oh, she's a perfect terror, I assure you--and a still more perfect darling! Such an angel of charity to the poor, such a demon of obstinacy with the rich! I worship her. So does Cleopatra. So does everybody who doesn't hate her. So will you the minute you've been introduced. And by the way, why not? Why shouldn't I make myself useful for once by arranging a match between Rosamond Gilder, the prettiest heiress in America, and Lord Ernest Borrow, of the oldest family in Ireland?"
"And the poorest."
"All the more reason why. Don't you see?"
"She mightn't."
"Well, what's the good of her having all that money if she doesn't get hold of a really grand title to hang it on? I shall tell her that Borrow comes down from Boru, Brian Boru the rightful King of Ireland: and when your brother dies you'll be Marquis of Killeena."
"He'll not die for thirty or forty years, let's hope."
"Why hope it, when he likes nobody and nobody likes him, and everybody likes you? He can't be happy. And anyhow, isn't it worth a few millions to be Lady Ernest Borrow, and have the privilege of restoring the most beautiful old castle in Ireland? I'm sure Killeena would let her."
"He would, out of sheer, weak kindness of heart! But she's far too thickly gilded an heiress for me to aspire to. A few thousands a year is my most ambitious figure for a wife. Look at the men collecting around her and the wonderful lady you call Cleopatra. Why Cleopatra? Did sponsors in baptism--"
"No, they didn't. Why she's Cleopatra is as weird a history as why I'm Mrs. Jones. But she's Monny's aunt--at least, she's a half-sister of Peter Gilder, and as his only living relative his will makes her Monny's guardian till the girl marries or reaches twenty-five. A strange guardian! But he didn't know she was going to turn into Cleopatra. She wisely waited to do that until he was dead; so it came on only a year ago. It was a Bond Street crystal-gazer transplanted to Fifth Avenue told her who she really was: you know Sayda Sabri, the woman who has the illuminated mummy? It's Cleopatra's idea that Monny's second mourning for Peter should be white, nothing but white."
"Her idea! But I thought Miss Monny, as you call her, adopted only her own ideas. How can a mere half-aunt, labouring under the name of Cleopatra, force her--"
"Well, you see, white's very becoming; and as for the Cleopatra part, it pleases our princess to tolerate that. It's part of the queer history that's mixing me up with the family. We've come to spend the season in Egypt because Cleopatra thinks she's Cleopatra; also because Monny (that's what she's chosen to call herself since she tried to lisp 'Resamond' and couldn't) because Monny has read 'The Garden of Allah,' and wants the 'desert to take her.' That book had nothing to do with Egyptian deserts; but any desert will do for Monny. What she expects it to do with her exactly when it has taken her, on the strength of a Cook ticket, I don't quite know; but I may later, because she vows she'll keep me at her side with hooks of steel all through the tour--unless something worse happens to me, or to some of us because of me." "Biddy, dear, don't be morbid. Nothing bad will happen," I tried to reassure her.
"Thank you for saying so. It cheers me up. We women folk are so in the habit of believing anything you men folk tell us. It's really quaint!"
"Stop rotting, and tell me about yourself; and a truce to heiresses and Cleopatras. You know I'm dying to hear."
"Not a syllable, until you've told me about yourself. Where you're going, and what the dickens for!"
We laughed into each other's eyes. To do so, I had to look a long way down, and she a long way up. This in itself is a pleasantly Victorian thing for a man to do in these days of Jerrybuilt girls, on the same
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