Indian Tales

Rudyard Kipling
Indian Tales

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Title: Indian Tales
Author: Rudyard Kipling
Release Date: August, 2005 [EBook #8649] [This file was first posted on July 29, 2003]
Edition: 10
Language: English
Character set encoding: ISO-8859-1
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E-text prepared by S.R.Ellison, Charles Aldarondo, Tiffany Vergon, and the Online Distributed Proofreading Team

INDIAN TALES
BY RUDYARD KIPLING

CONTENTS
"The Finest Story in the World"
With the Main Guard
Wee Willie Winkie
The Rout of the White Hussars
At Twenty-two
The Courting of Dinah Shadd
The Story of Muhammad Din
In Flood Time
My Own True Ghost Story
The Big Drunk Draf'
By Word of Mouth
The Drums of the Fore and Aft
The Sending of Dana Da
On the City Wall
The Broken-link Handicap
On Greenhow Hill
To Be Filed for Reference
The Man Who Would Be King
The Gate of the Hundred Sorrows
The Incarnation of Krishna Mulvaney
His Majesty the King
The Strange Ride of Morrowbie Jukes
In the House of Suddhoo
Black Jack
The Taking of Lungtungpen
The Phantom Rickshaw
On the Strength of a Likeness
Private Learoyd's Story
Wressley of the Foreign Office
The Solid Muldoon
The Three Musketeers
Beyond the Pale
The God from the Machine
The Daughter of the Regiment
The Madness of Private Ortheris
L'Envoi

"THE FINEST STORY IN THE WORLD"
"Or ever the knightly years were gone With the old world to the grave, I was a king in Babylon And you were a Christian slave," --_W.E. Henley_.
His name was Charlie Mears; he was the only son of his mother who was a widow, and he lived in the north of London, coming into the City every day to work in a bank. He was twenty years old and suffered from aspirations. I met him in a public billiard-saloon where the marker called him by his given name, and he called the marker "Bullseyes." Charlie explained, a little nervously, that he had only come to the place to look on, and since looking on at games of skill is not a cheap amusement for the young, I suggested that Charlie should go back to his mother.
That was our first step toward better acquaintance. He would call on me sometimes in the evenings instead of running about London with his fellow-clerks; and before long, speaking of himself as a young man must, he told me of his aspirations, which were all literary. He desired to make himself an undying name chiefly through verse, though he was not above sending stories of love and death to the drop-a-penny-in-the-slot journals. It was my fate to sit still while Charlie read me poems of many hundred lines, and bulky fragments of plays that would surely shake the world. My reward was his unreserved confidence, and the self-revelations and troubles of a young man are almost as holy as those of a maiden. Charlie had never fallen in love, but was anxious to do so on the first opportunity; he believed in all things good and all things honorable, but, at the same time, was curiously careful to let me see that he knew his way about the world as befitted a bank clerk on twenty-five shillings a week. He rhymed "dove" with "love" and "moon" with "June," and devoutly believed that they had never so been rhymed before. The long lame gaps in his plays he filled up with hasty words of apology and description and swept on, seeing all that he intended to do so clearly that he esteemed it already done, and turned to me for applause.
I fancy that his mother did not encourage his aspirations, and I know that his writing-table at home was the edge of his washstand. This he told me almost at the outset of our acquaintance; when he was ravaging my bookshelves, and a little before I was implored to speak the truth as to his chances of "writing something really great, you know." Maybe I encouraged him too much, for, one night, he called on me, his eyes flaming with excitement, and said breathlessly:
"Do you mind--can you let me stay here and write all this evening? I won't interrupt you, I won't really. There's no place for
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