Gustavus Vasa

W.S. Walker
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Title: Gustavus Vasa
and other poems
Author: W. S. Walker
Release Date: February 12, 2006 [EBook #17754]
Language: English
Character set encoding: ISO-8859-1
? START OF THIS PROJECT GUTENBERG EBOOK GUSTAVUS VASA ***
Produced by Jonathan Ingram, Taavi Kalju and the Online?Distributed Proofreading Team at
Gustavus Vasa,?AND?OTHER POEMS.
BY
W.S. WALKER.
--Tentanda via est, qua me quoque possim?Tollere humo.
London:
PRINTED FOR LONGMAN, HURST, REES, ORME, AND BROWN, PATERNOSTER ROW.
1813.
J.G. BARNARD, SKINNER-STREET, LONDON.
TO?THE RIGHT HONOURABLE?THE BARONESS HOWE.
It would be a sufficient reason for sanctioning this work with your Ladyship's name, that it is an offering of gratitude, presented because there is nothing worthier to give.
But there is another cause. He who celebrates a patriot, cannot address himself to any one more properly than to the daughter of a patriot; of one who was for years the naval sun of England, and from whom the young and enterprising caught the unextinguishable rays of patriotism and courage.
For actions and glory such as his, the female mind is not formed; but in the calm and active virtues of private life, which are almost equally honourable to the possessor, your Ladyship maintains the dignity of your race. I call to witness those whom you have soothed in affliction, and those whom you have honoured with your friendship. They will vindicate me from the charge of flattery, and support my assertion, that your patronage is as glorious to me, as any I could possibly have chosen.
With the hope, that the virtues of your excellent daughter, and your son, whom I am proud to call my friend, may answer your fullest expectations,
I remain,?Your Ladyship's?Most obliged?And devoted Servant,?W.S. WALKER.
PREFACE.
As the author of these Poems is only seventeen, some apology may be required for offering them to the public.
Many precedents may be quoted in favour of early publication; and the practice perhaps is not in itself blameable, except when the advice of good judges is unasked, or the work itself uncorrected and negligent. To neither of these charges is the author liable. These poems, as well as the design of publishing them, have been approved of by many sincere and judicious friends; and the work has been altered in many parts, in conformity to the advice of the same persons. The author has made no improper sacrifice to the Muse: he has deserted no duty, and neglected no necessary employment. Influenced by these motives, he appears before the bar of criticism, not indeed without diffidence, but unconscious of having deserved censure. If his verses are bad, he is content to sink into oblivion; and if the public confirms the favourable judgment of his friends, he does not deny that it will give him real satisfaction.--He is sensible, that if he delayed till time had matured his judgment, and reflection perfected his ideas, the "_scribendi caco?thes_," perhaps an unfortunate inclination, would take a firm and unalterable possession of his mind. He is therefore determined to try the public opinion; that he may be enabled either to pursue his poetical studies under their encouragement, or to desist in time from an useless employment. This volume is not intended to challenge approbation, but to be the precursor of something which may challenge it in future: it is not an attempt to gain the prize, but a specimen of his powers, which may entitle him to the honour of standing candidate for that prize. The reader will here find the genuine effusions of a youthful fancy, free, yet not uncontrolled; a collection of pieces, exempt from negligence and inaccuracy, though not from the usual and inevitable faults of early compositions. To offer less than this would be arrogant, and to require more than this would be unreasonable.
"Gustavus Vasa" was originally planned (the reader will smile) at eleven years of age. When the author began to know what poetry was, his first design was to write an epic poem--no matter of what sort or character, so it was an epic poem. The subject was soon chosen; and the progress of the work was various: sometimes hurried on with all the ardour of hope and enterprize, sometimes relinquished for more lively pursuits, and left to sleep for months in the leaves of a portfolio. In this manner were six long cantos completed. At length the author, in his thirteenth year, perceived numerous faults and extravagances in his early composition. He destroyed the manuscript: and some time after recommenced his poem on a new and more rational plan. Accordingly, the first and part of the second book,
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