Franklin Kane | Page 2

Anne Douglas Sedgwick
like brisk, colourless spinsterhood. This hope, the necessity for such hope, was the final depth of her gloomy mood, and she found herself looking at something very dark as she stood holding Miss Robinson's expensive roses. For, after all, what was going to become of her? The final depth shaped itself to-day in more grimly realistic fashion than ever before: what was she going to do with herself, in the last resort, unless something happened? Her mind dwelt upon all the visible alternatives. There was philanthropic lunch-going and lunch-giving spinsterhood in Boston; there was spinsterhood in Europe, semi-social, semi-intellectual, and monotonous in its very variety, for Althea had come to feel change as monotonous; or there was spinsterhood in England established near her friend, Miss Buckston, who raised poultry in the country, and went up to London for Bach choir practices and Woman's Suffrage meetings. Althea couldn't see herself as taking an interest in poultry or in Woman's Suffrage, nor did she feel herself fitted for patriotic duties in Boston. There was nothing for it, then, but to continue her present nomadic life. After seeing herself shut in to this conclusion, it was a real relief to her to hear the tea-tray chink outside, and to see it enter, high on the gar?on's shoulder, as if with a trivial but cheerful reply to her dreary questionings. Tea, at all events, would always happen and always be pleasant. Althea smiled sadly as she made the reflection, for she was not of an Epicurean temperament. After she had drunk her tea she felt strengthened to go in and ask Amélie about her clothes. She might have to get a great many new ones, especially if she went home for the autumn and winter, as she half intended to do. She took up the roses, as she passed them, to show to Amélie. Amélie was a bony, efficient Frenchwoman, with high cheek-bones and sleek black hair. She had come to Althea first, many years ago, as a courier-maid, to take her back to America. Althea's mother had died in Dresden, and Althea had been equipped by anxious friends with this competent attendant for her sad return journey. Amélie had proved intelligent and reliable in the highest degree, and though she had made herself rather disagreeable during her first year in Boston, she had stayed on ever since. She still made herself disagreeable from time to time, and Althea had sometimes lacked only the courage to dismiss her; but she could hardly imagine herself existing without Amélie, and in Europe Amélie was seldom disagreeable. In Europe, at the worst, she was gruff and ungracious, and Althea was fond enough of her to ignore these failings, although they frightened her a little; but though an easily intimidated person, and much at a loss in meeting opposition or rudeness, she was also tenacious. She might be frightened, but people could never make her do what she didn't want to do, not even Amélie. Her relations with Amélie were slightly strained just now, for she had not taken her advice as to their return journey from Venice. Amélie had insisted on Mont Cenis, and Althea had chosen the St. Gothard; so that it was as a measure of propitiation that she selected three of the roses for Amélie as she went into the bedroom. Amélie, who was kneeling before one of the larger boxes and carefully lifting skirts from its trays, paused to sniff at the flowers, and to express a terse thanks and admiration. 'Ah, bien merci, mademoiselle,' she said, laying her share on the table beside her.
She was not very encouraging about the condition of Althea's wardrobe.
'Elles sont défra?chies--démodées--en vérité, mademoiselle,' she replied, when Althea asked if many new purchases were necessary.
Althea sighed. 'All the fittings!'
'Il faut souffrir pour être belle,' said Amélie unsympathetically.
Althea had not dared yet to tell her that she might be going back to America that winter. The thought of Amélie's gloom cast a shadow over the project, and she could not yet quite face it. She wandered back to the sitting-room, and, thinking of Amélie's last words, she stood for some time and looked at herself in the large mirror which rose from mantelpiece to cornice, enclosed in cascades of gilt. One of the things that Althea, in her mild assurance, was really secure of--for, as we have intimated, her assurance often covered a certain insecurity--was her own appearance. She didn't know about 'belle,' that seemed rather a trivial term, and the English equivalent better to express the distinctive characteristic of her face. She had so often been told she was nobly beautiful that she did not see herself critically, and she now leaned her elbow on the mantelpiece and gazed at herself with sad approbation. The mirror reflected only
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