Critical Miscellanies | Page 2

happiness, both for the French and for mankind, can only be denied by the Pope. That it secured its beneficent results untempered by any mixture of evil, can only be maintained by men as mad as Doctor Pangloss. The Greek poetess Corinna said to the youthful Pindar, when he had interwoven all the gods and goddesses in the Theban mythology into a single hymn, that we should sow with the hand and not with the sack. Corinna's monition to the singer is proper to the interpreter of historical truth: he should cull with the hand, and not sweep in with the scythe. It is doubtless mere pedantry to abstain from the widest conception of the sum of a great movement. A clear, definite, and stable idea of the meaning in the history of human progress of such vast groups of events as the Reformation or the Revolution, is indispensable for any one to whom history is a serious study of society. It is just as important, however, not to forget that they were really groups of events, and not in either case a single uniform movement. The World-Epos is after all only a file of the morning paper in a state of glorification. A sensible man learns, in everyday life, to abstain from praising and blaming character by wholesale; he becomes content to say of this trait that it is good, and of that act that it was bad. So in history, we become unwilling to join or to admire those who insist upon transferring their sentiment upon the whole to their judgment upon each part. We seek to be allowed to retain a decided opinion as to the final value to mankind of a long series of transactions, and yet not to commit ourselves to set the same estimate on each transaction in particular, still less on each person associated with it. Why shall we not prize the general results of the Reformation, without being obliged to defend John of Leyden and the Munster Anabaptists?
M. D'H��ricault's volume naturally suggests such reflections as these. Of all the men of the Revolution, Robespierre has suffered most from the audacious idolatry of some writers, and the splenetic impatience of others. M. Louis Blanc and M. Ernest Hamel talk of him as an angel or a prophet, and the Ninth Thermidor is a red day indeed in their martyrology. Michelet and M. D'H��ricault treat him as a mixture of Cagliostro and Caligula, both a charlatan and a miscreant. We are reminded of the commencement of an address of the French Senate to the first Bonaparte: 'Sire,' they began, 'the desire for perfection is one of the worst maladies that can afflict the human mind.' This bold aphorism touches one of the roots of the judgments we pass both upon men and events. It is because people so irrationally think fit to insist upon perfection, that Robespierre's admirers would fain deny that he ever had a fault, and the tacit adoption of the same impracticable standard makes it easier for Robespierre's wholesale detractors to deny that he had a single virtue or performed a single service. The point of view is essentially unfit for history. The real subject of history is the improvement of social arrangements, and no conspicuous actor in public affairs since the world began saw the true direction of improvement with an absolutely unerring eye from the beginning of his career to the end. It is folly for the historian, as it is for the statesman, to strain after the imaginative unity of the dramatic creator. Social progress is an affair of many small pieces and slow accretions, and the interest of historic study lies in tracing, amid the immense turmoil of events and through the confusion of voices, the devious course of the sacred torch, as it shifts from bearer to bearer. And it is not the bearers who are most interesting, but the torch.
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In the old Flemish town of Arras, known in the diplomatic history of the fifteenth century by a couple of important treaties, and famous in the industrial history of the Middle Ages for its pre-eminence in the manufacture of the most splendid kind of tapestry hangings, Maximilian Robespierre was born in May 1758. He was therefore no more than five and thirty years old when he came to his ghastly end in 1794. His father was a lawyer, and, though the surname of the family had the prefix of nobility, they belonged to the middle class. When this decorative prefix became dangerous, Maximilian Derobespierre dropped it. His great rival, Danton, was less prudent or less fortunate, and one of the charges made against him was that he had styled himself Monsieur D'Anton.
Robespierre's youth was embittered by sharp misfortune. His mother died when