Bruges and West Flanders

George W. T. Omond
Bruges and West Flanders

The Project Gutenberg eBook, Bruges and West Flanders, by George
W. T. Omond, Illustrated by Amédée Forestier
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Title: Bruges and West Flanders
Author: George W. T. Omond

Release Date: June 23, 2006 [eBook #18670]
Language: English
Character set encoding: ISO-8859-1
***START OF THE PROJECT GUTENBERG EBOOK BRUGES
AND WEST FLANDERS***
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BRUGES AND WEST FLANDERS
Painted by
AMÉDÉE FORESTIER
Described by
G. W. T. OMOND

[Illustration: A FLEMISH COUNTRY GIRL]

Preface
There is no part of Europe more wanting in what is known as 'scenery'
than Flanders; and those who journey there must spend most of their
time in the old towns which are still so strangely mediæval in their
aspect, or in country places which are worth seeing only because of
their connection with some event in history--Nature has done so little
for them. Thus the interest and the attraction of Flanders and the
Flemish towns are chiefly historical. But it would be impossible to
compress the history of such places as Bruges, Ypres, Furnes, or
Nieuport within the limits of a few pages, except at the cost of loading
them with a mass of dry facts. Accordingly the plan adopted in
preparing the letterpress which accompanies Mr. Forestier's drawings
has been to select a few leading incidents, and give these at some
length.
The Flemish School of Painting and Architecture has been so well and
frequently described that it would have been mere affectation to make
more than a few passing allusions to that topic.

Some space has, however, been devoted to an account of the recent
development of the Flemish littoral, which has been so remarkable
during the last quarter of a century.

Contents
CHAPTER I
THE MARKET-PLACE AND BELFRY--EARLY HISTORY OF
BRUGES
CHAPTER II
BALDWIN BRAS-DE-FER--THE PLACE DU BOURG--MURDER
OF CHARLES THE GOOD
CHAPTER III
THE BÉGUINAGE--CHURCHES--THE RELIC OF THE HOLY
BLOOD
CHAPTER IV
THE BRUGES MATINS--BATTLE OF THE GOLDEN SPURS
CHAPTER V
DAMME--THE SEA-FIGHT AT SLUIS--SPLENDOUR OF BRUGES
IN THE MIDDLE AGES--THE FALL AND LOSS OF TRADE
CHAPTER VI
'BRUGES LA MORTE'
CHAPTER VII

THE PLAIN OF WEST FLANDERS--YPRES
CHAPTER VIII
FURNES--THE PROCESSION OF PENITENTS
CHAPTER IX
NIEUPORT--THE BATTLE OF THE DUNES
CHAPTER X
THE COAST OF FLANDERS
CHAPTER XI
COXYDE--THE SCENERY OF THE DUNES
INDEX

List of Illustrations
1. A Flemish Country Girl 2. Bruges: A Corner of the Market on the
Grand' Place 3. Bell-ringer Playing a Chime 4. Bruges: Porte d'Ostende
5. Bruges: Rue de l'Âne Aveugle (showing end of Town Hall and
Bridge connecting it with Palais de Justice) 6. Bruges: Quai du Rosaire
7. Bruges: The Béguinage 8. Bruges: Quai des Marbriers 9. A Flemish
Young Woman 10. A Flemish Burgher 11. Bruges: Quai du Miroir 12.
Bruges: View of the Palais du Franc. 13. Bruges: Maison du Pélican
(Almshouse) 14. Bruges: Vegetable Market 15. The Flemish Plain 16.
Duinhoek: Interior of a Farmhouse 17. Adinkerque: At the Kermesse
18. A Farmsteading 19. Ypres: Place du Musée (showing Top Part of
the Belfry) 20. Ypres: Arcade under the Nieuwerk 21. Furnes: Grand'
Place and Belfry 22. Furnes: Peristyle of Town Hall and Palais de
Justice 23. Nieuport: Interior of Church 24. Furnes: Tower of St.
Nicholas 25. Furnes: In Ste. Walburge's Church 26. Nieuport: A Fair

Parishioner 27. Nieuport: Hall and Vicarage 28. Nieuport: The Quay,
with Eel-boats and Landing-stages 29. Nieuport: The Town Hall 30.
Nieuport: Church Porch (Evensong) 31. The Dunes: A Stormy Evening
32. An Old Farmer 33. La Panne: Interior of a Flemish Inn 34. La
Panne: A Flemish Inn--Playing Skittles 35. Coxyde: A Shrimper on
Horseback 36. Coxyde: A Shrimper 37. Adinkerque: Village and Canal

THE MARKET-PLACE AND BELFRY--EARLY HISTORY OF
BRUGES

BRUGES AND WEST FLANDERS
CHAPTER I
THE MARKET-PLACE AND BELFRY--EARLY HISTORY OF
BRUGES
Every visitor to 'the quaint old Flemish city' goes first to the
Market-Place. On Saturday mornings the wide space beneath the
mighty Belfry is full of stalls, with white canvas awnings, and heaped
up with a curious assortment of goods. Clothing of every description,
sabots and leathern shoes and boots, huge earthenware jars, pots and
pans, kettles, cups and saucers, baskets, tawdry-coloured prints--chiefly
of a religious character--lamps and candlesticks, the cheaper kinds of
Flemish pottery, knives and forks, carpenters' tools, and such small
articles as reels of thread, hatpins, tape, and even bottles of coarse scent,
are
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