Blind Love

Wilkie Collins
㭠
Blind Love, by Wilkie Collins

The Project Gutenberg EBook of Blind Love, by Wilkie Collins #30 in our series by Wilkie Collins
Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook.
This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission.
Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**eBooks Readable By Both Humans and By Computers, Since 1971**
*****These eBooks Were Prepared By Thousands of Volunteers!*****
Title: Blind Love
Author: Wilkie Collins
Release Date: April, 2005 [EBook #7890] [Yes, we are more than one year ahead of schedule] [This file was first posted on May 31, 2003]
Edition: 10
Language: English
Character set encoding: ASCII
*** START OF THE PROJECT GUTENBERG EBOOK BLIND LOVE ***

Produced by James Rusk

Blind Love
by Wilkie Collins (completed by Walter Besant)
PREFACE
IN the month of August 1889, and in the middle of the seaside holiday, a message came to me from Wilkie Collins, then, though we hoped otherwise, on his death-bed.
It was conveyed to me by Mr. A. P. Watt. He told me that his son had just come from Wilkie Collins: that they had been speaking of his novel, "Blind Love," then running in the Illustrated London News: that the novel was, unfortunately, unfinished: that he himself could not possibly finish it: and that he would be very glad, if I would finish it if I could find the time. And that if I could undertake this work he would send me his notes of the remainder. Wilkie Collins added these words: "If he has the time I think he will do it: we are both old hands at this work, and understand it, and he knows that I would do the same for him if he were in my place."
Under the circumstances of the case, it was impossible to decline this request. I wrote to say that time should be made, and the notes were forwarded to me at Robin Hood's Bay. I began by reading carefully and twice over, so as to get a grip of the story and the novelist's intention, the part that had already appeared, and the proofs so far as the author had gone. I then turned to the notes. I found that these were not merely notes such as I expected--simple indications of the plot and the development of events, but an actual detailed scenario, in which every incident, however trivial, was carefully laid down: there were also fragments of dialogue inserted at those places where dialogue was wanted to emphasise the situation and make it real. I was much struck with the writer's perception of the vast importance of dialogue in making the reader seize the scene. Description requires attention: dialogue rivets attention.
It is not an easy task, nor is it pleasant, to carry on another man's work: but the possession of this scenario lightened the work enormously. I have been careful to adhere faithfully and exactly to the plot, scene by scene, down to the smallest detail as it was laid down by the author in this book. I have altered nothing. I have preserved and incorporated every fragment of dialogue. I have used the very language wherever that was written so carefully as to show that it was meant to be used. I think that there is only one trivial detail where I had to choose because it was not clear from the notes what the author had intended. The plot of the novel, every scene, every situation, from beginning to end, is the work of Wilkie Collins. The actual writing is entirely his up to a certain point: from that point to the end it is partly his, but mainly mine. Where his writing ends and mine begins, I need not point out. The practised critic will, no doubt, at once lay his finger on the spot.
I have therefore carried out the author's wishes to the best of my ability. I would that he were living still, if only to regret that he had not been allowed to finish his last work with his own hand!
WALTER BESANT.
BLIND LOVE
THE PROLOGUE
I
SOON after sunrise, on a cloudy morning in the year 1881, a special messenger disturbed the repose of Dennis Howmore, at his place of residence in the pleasant Irish town of Ardoon.
Well acquainted apparently with the way upstairs, the man thumped on
Continue reading on your phone by scaning this QR Code

 / 161
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.