100 New Yorkers of the 1970s | Page 2

Max Millard
shown her some of my writing, so she recommended me to Bruce as her replacement.
For my first assignment, Bruce sent me to interview Delores Hall, star of a Broadway musical with an all-black cast, _Your Arms Too Short to Box With God_. I went to the theater, watched the show, then met Delores backstage. The first question I asked her was: "Is that your real hair?" She smiled good-naturedly at my lack of diplomacy and didn't answer, but made me feel completely at ease. She led me outside the theater, and without embarrassment, asked me to hail the taxi for us. Then she directed the driver to a favorite soul food restaurant, where she stuffed herself while I conducted the interview. She was as gracious in my company as she had been on the stage while bowing to a standing ovation. Later, her role in the show won her the Tony Award for Best Featured Actress in a Musical.
After completing my Delores Hall story, I was kept constantly busy at the TV Shopper for as long as I stayed in New York. At first Bruce gave me all the leads, many of whom were people who had requested to be on the cover. But soon I was after bigger game, and began to systematically hunt down people whom I had grown up admiring. I scanned People magazine each week to find out which celebrities were New Yorkers. When I landed an important interview, I often visited the New York Public Library of Performing Arts in Lincoln Center to study the clipping files and prepare my questions.
A few interviewees were distant and arrogant, making it clear that they wouldn't be wasting their time with me if not for the insistence of their agent. A cover story in the TV Shopper could possibly extend a Broadway run for a few days or sell another $10,000 worth of tickets to the ballet or opera. But the vast majority of my interview subjects were friendly, respectful, and even a little flattered by the thought of being on the cover. In general, the biggest people were most likely to be unpretentious and generous of spirit.
It was thrilling experience to meet and interview the people who had been my idols only a few years before. When we were alone together in a room, I felt that -- if only for that brief period -- I were the equal of someone who had achieved greatness. I had grown up reading Superman comics, and one day it flashed on me: this is Metropolis and I'm Clark Kent!
My subjects probably found me somewhat of a rube. I didn't dress well, I had little knowledge of New York, I asked some very simplistic questions, and until 1979 I didn't use a tape recorder. So perhaps some of the stars were put off their guard and revealed more of themselves than they would have to a more professional interviewer. I was struck by how single-minded they were for success. Probing their brains was like getting a second college education. Their main message was: Don't waste your life and don't do anything just for money.
Of course, many people declined my request for an interview. Among those I fished for, but failed to reel in, were Richard Chamberlain, Isaac Bashevis Singer, Bob Keeshan (Captain Kangaroo), Rex Reed, Halston, Carrie Fisher, Russell Baker, Ted Sorensen, Joseph Heller, Margaret Meade, Helen Gurley Brown and Ira Gershwin. Then there were the Eastsiders and Westsiders too famous to even approach, such as Woody Allen, Bob Hope and Mikhail Baryshnikov.
The person who did more than anyone else to secure first-rank interviews for me was Anna Sosenko, a woman in her late 60s who owned an autograph collectors' shop on West 62th Street filled with elegantly framed letters, manuscripts and autographed photos of some of the greatest names in the history of entertainment. Despite her treasures, she always talked with one hand over her mouth to hide the fact that she had practically no teeth.
For 23 years Anna had managed the career of cabaret superstar Hildegarde Sell, and had penned Hildegarde's theme song, "Darling, Je Vous Aime Beaucoup." Anna was still a formidable figure in showbiz; every year she produced a spectacular fund-raising all-star show in a Broadway theater that paid tribute to Broadway legends. Her 1979 show, which I attended, included live performances by Julie Andrews, Agnes DeMille, Placido Domingo, Alfred Drake, Tovah Feldshuh, Hermione Gingold and Rex Harrison.
I met Anna through her friendship with Bruce Logan, and she became my direct link to many stars of the older generation, including Douglas Fairbanks Jr., Lillian Gish, Ann Miller, Maureen O'Sullivan and Sammy Cahn. One phone call from Anna was enough to get me an appointment.
The TV Shopper interviews and restaurant reviews -- a total of four stories per
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